Wednesday, March 17, 2010
Saturday, March 13, 2010
Wednesday, February 17, 2010
Tuesday, February 16, 2010
This is the original "Duberen" drawing. The inspiration of the painting. The boy in the background of the painting is also a character in the book, which is heavily themed around clowns and their clothing. I have a few other drawings of Mykel, but besides that I've been forced to shove her aside.
When I started this, it wasn't a sketch I expected to keep. Usually, I assume my pen and marker drawings will turn out horribly, because I can't erase. But I ended up really liking this, so fortunately for it, no trashing was necessary.
8 x 11, Prisma Color Markers and pen
Monday, February 15, 2010
I've been up to painting of course. Yesterday, I spent most of the evening sketching out possible paintings...In the end, I decided to do a picture of one of my book characters I'd done in pen and Prisma Color Markers last year. It took me the rest of the night to translate it to my 18 x 24 canvas, but I was pleased with the end result. This morning, I sealed the lines and filled in the larger areas with an oil paint and turpentine mix. (This is what I used to seal the lines with, too.)
And then as the day progressed, I let the thin coating dry and then began to add more and more paint. I prefer to do paintings in one sitting if not in only a few days, instead of spending a month or so on it, as I've mentioned before. Above is the painting through its first stages, appropriately titled after my novel, "Duberen".
And then as the day progressed, I let the thin coating dry and then began to add more and more paint. I prefer to do paintings in one sitting if not in only a few days, instead of spending a month or so on it, as I've mentioned before. Above is the painting through its first stages, appropriately titled after my novel, "Duberen".
Friday, February 12, 2010
This is my turpentine and liquin.
This is untitled still. Again, this is an experiment at portraiture, and is unfinished. I want it to have a very loose look, with visible brush strokes, like my painting "The Defiant" below. The shadows need to be developed, but so far I like how it looks.
I started by lightly sketching her out (something I usually like to skip) and then I made a light-brown wash of odorless turpentine and sealed the lines. After it was relatively dry, I used darker and lighter washes to represent the high and low lights. I let it dry completely, and then began using my oils with Winsor & Newton liquin. They have amazing materials!
Visit their website:http://www.winsornewton.com/
16 x 24, Oil on Canvas
"SUN FLOWERS"
I took another session for an oil pianting class last year in the spring and decided to paint sunflowers. It isn't finished yet, like many of my paintings, but eventually it will be. I like to switch between projects rather than stick with one for months until it's done. I am currently working on another flower painting.
16 x 24, Oil on Canvas
I took another session for an oil pianting class last year in the spring and decided to paint sunflowers. It isn't finished yet, like many of my paintings, but eventually it will be. I like to switch between projects rather than stick with one for months until it's done. I am currently working on another flower painting.
16 x 24, Oil on Canvas
Thursday, February 11, 2010
This is, of course unfinished. I don't know when i'll get inspired to work on it again. I haven't painted any subjects of the fowl variety before, but I really liked the picture (in the corner). It has a long way to go, but I enjoy a challenge.
Originally, I had started another painting. I used black acrylic to cover it, and then painted it blue. Most of this is acrylic, but I came in much later and added some detail using oil. I think it would be better for me to finish it in oil. I can't wait to see what the end result will look like!
16 x 24, Acrylic & Oil on canvas
Wednesday, February 10, 2010
Subscribe to:
Posts (Atom)